Hans Kotter
“Kotter’s theme is light. His works always address light, tracing its most-unexpected effects. In doing so, the diversity of the light phenomena allows the artist to break fresh ground in finding highly varied possibilities of expression and ever-new techniques, materials, and manners of presentation, which extend beyond the customary boundaries of the genre. Hans Kotter not only constructs light boxes, he also builds objects, pours things he has found into transparent resins, marks entire rooms with paths of light made of luminescent foils, and, using his camera, approaches the most subtle phenomena of light.
Confronted out of the blue with Hans Kotter’s photographic works, oscillating between abstraction and materiality, naturalness and artificiality, technical perfection and painterly appearance, a person will inevitably question whether or not these are phenomena that have been digitally produced or altered. The truth of the matter is that the artist takes his camera, zooming in on drops of oil or glass prisms he has built himself in order to observe there the confusingly complicated play of the refraction, diffraction, and reflection of light.”
Dr. Peter Lodermeyer
Working in Berlin
1993-1994 Member of Art Students League, New York, USA; trained with Bruce Dorfmar and William Scharf
2001-2003 Media Design Academy, Munich, Germany
2007-present Lecturer at the State Academy of Art and Design, Stuttgart, Germany
Hans Kotter has work in the following public collections:
Kinetica Museum, London
Fondation Villa Datris, L’Isle-sur-la-Sorgue, France
Kunstmuseum Celle mit Sammlung Robert Simon, Celle, Germany
Museum für Angewandte Kunst Köln, Köln, Germany
Museum Ritter, Waldenbuch, Germany
Osthaus Museum Hagen, Germany
Borusan Contemporary, Istanbul, Turkey